SHER Module 4 / Odesa, 17-18 May

On the occasion of the school of public speaking being in Odesa, within the evolutionary school SHER, we will study the laws by which the ideology of systems and states is created, test our own programs, look at serving the highest ideals and the ability to be free within a system, the ability to enjoy the benefits of civilisation while being independent and able to create our own values.

The fourth turn of the evolutionary spiral: ROMANCE, CULTURE, SCIENCE, ART; VIRTUAL REALITY, IDEOLOGY. SOCIETY, LAW, FAMILY; WISDOM, AGEING AND DEATH

The tenth circuit, 4-1: “ROMANCE”
The main message: Don’t be like THEM – and become a UNIQUE I
* The program is responsible for avoiding the role of the adult in the centralised Anthill, playfully sensual elitism, sexual taboos, narcissism, chivalry, hermitry, monasticism.
It regulates mobility and changeability in the search for new socio-biological possibilities, based on egoistic individuality and unreadiness for parental survival patterns.
It sets the need to evade working functions, and initiates a quest and wandering – real and virtual.

* Successful imprinting leads to:
a. creating yourself in love with the world, life, people
b. savouring joy and fearlessness in informal independence, creativity and trust in erotic adventures
c. discovering the sweetness of a romantic (esoteric) perception of reality
d. the search for a harmonious “other half”
e. the ability and the desire to dream and fantasise, to create “crazy projects” of bliss, joy, the creative use of the soul’s impulses
f. the possibility of inventing the technology of an authorial path, “my unique life”

* The destructive setting of the program leads to:
a. the oppressive consequences of the crisis of puberty, an unsuccessful imprint of erotic freedom, the pressure and lies of sexual taboos
b. fear of being domesticated, mistrust of the “adult world”
c. the impossibility of acting from “I want to try everything!”, “youth comes once in a lifetime”, “why not?”
d. treating your own suppressed unconscious as a dreadful and unworthy inner content

The tenth circuit, 4-2: “THE SOCIAL ANTHILL”
The main message: You will get pleasure – for money, money – for work, work – for obedience.
* The program that determines the patterns of marriage, family, bringing up children; the transformation of the wild, idealistic teenage barbarian into a sensible, practical, obedient citizen; it imprints the consequences of pregnancy and childbirth as a setting of family values, the significance of a career in the anthill and its chronological scheme (profiling – the pursuit of success – burnout).
* With a favourable setting it allows you to understand and apply the principles of bringing up children, to realise the family way of life as a model for satisfying the natural needs of the body, for safety, belonging, one’s own distinctiveness and creativity. To make married life varied, mutually creative, technologically inventive. To carry the line of TRIZ (the theory of inventive problem solving) into business, to deploy one’s own authorial potential optimally in the creation of virtualities (everyday fairy tales; artefacts of art and culture; projects of installations and performances; manifestations in the mass media).
* When imprinting goes wrong, it turns the person into a virtual robot among conformist, law-abiding fellow citizens – fully dependent on advertising and the mass media, governed by a viral public lie: so as to motivate the ant to an automatic preoccupation with the survival of the anthill. It erases the individual purpose, makes one defenceless against the program of social slave imprinting: “wellbeing = functioning” (i.e. “if you want to live like a human being – work like a machine”). It leads to conflicts in the family, to fixation and mechanicalness in sex, communication, rituals, morals; to violence against one’s own children out of “good intentions”.

The twelfth circuit, 4-2: “DEATH”
The main message: This reality is not the only one. Prepare for the transition by grasping the sweetness of loss!
* It provides the completion of the earthly task. It is installed at a moment of serious illness, of risk to life, or of the death of a close person (a member of the family). It arouses a thirst to transcend into the next world; it leads to attempts at virtual migration into the afterlife. On the social plane it brings about the popularity of ideas of universal virtual wellbeing (socialism, communism), and also of religions and traditions of life after death (as a premonition of the inevitability of one’s individual end and a growing fear of death), and gathers into flocks the old people cast out by society.

* A conflict-free installation guarantees the possibility of tasting the gifts of wisdom and peace; of preparing fruitfully for the last bodily migration; of perceiving illnesses, deprivations and crises as training for the transition; of realising life as a stage of a journey, and death as a move to a new place of residence. Of learning post-social self-actualisation (for example, in the role of a mentor), the curiosity of the search for inner bliss and the pleasure of fixing the experience of personal joy in creative embodiments (books, films, paintings).
* When the imprint goes wrong it forces one to define ageing as a time of losses; to agree to die in loneliness, fear, chaos; to feel the bitterness of disappointment in the lies of religions, teachings, traditions, promises; to feel shame and guilt at one’s own helplessness, at being misunderstood and not accepted by those around; to need to complain and to ask for help. It creates suffering as a result of the pressure of ageism (society’s non-acceptance of old age) and of the concentration of attention on destruction and loss – of the body, abilities, communication, loved ones, money, work, recognition. It forms a horror of death in despair and helplessness.

Contacts for registration and information:
067-986-34-64 Diana